So I've seen
300 twice now (thanks to my free movie card...one of the perks of the job) and I can tell you that
all the pontificating about the political implications is as unfounded as it is silly.
Is George Bush really Xerxes or Leonidas? Are the Persians stand ins for the terrorists and the Spartans representative of the brave Americans, holding the Gates of Fire for freedom and democracy?
You want a definitive answer? NO.
300, believe it or not, is really about the
Spartans and the
Persians. And more than that, it's a
Frank Miller story.
I'm a huge fan of Frank Miller's art and his writing style, but if I were to be truly honest with myself, Frank Miller has certain problems with building characters. They're never boring, of course, but they're never really
genuine either. Somewhere along the line, his characters almost always hit a false note.
Important distinction: Genuine is different than "realistic." I just watched Hellboy the other night and there's no way Hellboy can be called a "realistic" character, but he
is genuine. Frank Miller's characters, on the other hand, are little more than male fantasies.
Marv from
Sin City apparently has a soft spot for vulnerable women, but then says about hit men: "No matter what you do to them, you don't feel bad." Hmmm, a part-time sociopath, huh? Well, if it works in the comics...
That idea fits into a nice moral box, (protect women, destroy hit men) but it betrays an ignorance of basic human psychology. Rarely do sociopaths feel empathy, even for hookers with hearts of gold, and rarely do moral men not suffer some guilt when they do horrible things, even for a good cause.
Leonidas of
300 also suffers from similar contradictions in his character. No doubt you've seen the commercial where Gerard Butler as Leonidas yells such emotionally charged phrases as "Spartans! Prepare for glory!" or "This...is...
SPARTA!"
And yet at other times in the movie, he's portrayed as a highly disciplined stoic who shows no emotion. When his men celebrate their victories on the battlefield, Leonidas broods in silence at the periphery. As he prepares to leave his wife behind on the march to war, the emotional goodbyes are suppressed as a show of Spartan strength. This reserved quality in Leonidas isn't just some subtley woven into the story; it actually becomes a plot point.
And though both sides of Leonidas's personality are interesting, they are also contradictory, just like Marv. They exist only in the world of entertainment, in comic books and movies. A hardcore criminal would not be like Marv, and a Spartan warrior would not be like Miller's Leonidas. But that's how a nerdy artist would
imagine them to be.
So if you're going to see
300 expecting some kind of commentary on current events, you won't find it. If you're looking for history, you won't find that either. If you're looking for realism, you went to the wrong movie.
But if you're looking for a highly stylized comic book vision of the battle for Thermopolae,
300 will deliver.