Brick – 2005Owing heavy debts to the work of Dashiell Hammett, and in a lesser way, that of Raymond Chandler and James M. Cain, it’s somewhat ironic that
Brick, a film noir set in a California high school, won a Special Jury Prize at Sundance for “originality of vision.”
Starring Joseph Gordon Levitt (of Third Rock fame) and helmed by first time director Rian Johnson,
Brick is the story of Brendan, a weary high school loner who charges fist-first into the underbelly of a stylized underworld of juvenile crime and jailbait femme fatales.

A fast-talking hard-boiled oddity that challenges it’s audience to keep up with it. The language, rather than the intricate plot, is perhaps the bigger draw, a mix of pulpy slang and irreducible coolness. Here’s an
example of what I’m talking about. Listen closely. They won’t wait up for you.
It’s not for everybody, but I dug it.
And I’m not the only one.
Four out of Five StarsThe Libertine - 2004Johnny Depp earned his stripes as an actor long ago. 21 Whatstreet? For, oh, the last decade or so, Johnny Depp has been able to slink into any role he desires and really take it on, so to speak. He can do accents, he can do attitudes, he can do funny and he can do serious. He can do pretty much anything, which is why he’s a perfect fit to portray John Wilmot, 2nd Earl of Rochester, from Stephen Jeffreys’s play.
Wilmot was famous for a debauched lifestyle that left him syphilitic, disfigured, and prematurely aged, a true
libertine in every sense of the word, and Johnny Depp brings him fabulously to life. In
the opening scene, he gives you a taste of what’s to come, the attitude, the bored, slightly amused delivery. And that accent? Flawless.
Here’s Johnny Depp as Wilmot, hung over, wig askew.

A vague contempt for life fuels Wilmot’s excess, best expressed long after his prime, blinded in one eye, barely able to stand.
Life is not a succession of urgent nows. It is a listless trickle of why should Is.A listless trickle indeed. The language of this one, much like previously mentioned
Brick, is a distinctive feature of the movie. It’s based on a play, so it’s very talky and not necessarily all that natural.
There’s a scene towards the end, when Wilmot shows up at the legislature, devoured nose hidden behind his silver prosthetic, and stuns the court with a rousing speech in favor of the crown, fulfilling some of the promise he had yet to squander. It’s a great scene, a bit of which you can hear
here. Depp’s get-up in this scene is very Marilyn Manson.
Four out of Five Stars (Yeah, yeah, yeah. I happen to like costume dramas, so
pblttttt.)
Kiss Kiss, Bang Bang – 2005A black comedy quasi-private detective-slash-crime caper from the mind of Shane Black. Shane Black, for those of you with short memories, is the mind behind
Lethal Weapon and
The Last Boy Scout. Of course, he’s also the brains behind
Last Action Hero, one of the Governator’s more lamentable flops (but a great Tesla song).
Seems this time he decided to direct, not only write the script, and he recruits Robert Downey Jr. as a petty thief who’s mistaken as an actor who then becomes a private eye who witnesses a murder. It just best not to go into it. That stuff doesn’t matter.
The stuff that matters is all the
meta Hollywood in-jokes and clever one liners. You got a narrator who knows he’s a bad narrator and talks about it. At one point, Val Kilmer’s character says, “This isn’t a book. This isn’t a movie.” Unless you’re totally sucked into the world up on screen, it’s hard not to say to yourself, “Well, actually…..”

The plot has something to do with Johnny Gossamer, a fictional hero of pulpy paperbacks, that plays into the plot in a minor way. The convention of the Johnny Gossamer books is that he would take on two cases, and by the end they would end up being the same case. I liked that part, and I loved how Michelle Monaghan’s character swooned when she saw those ancient paperback books with the lurid covers. I know exactly how that feels.
Another thing I liked about it was that it was broken up into chapters named after Raymond Chandler books. Unneccesary, yes, but charming nonetheless. A decent movie, entertaining and all, but I didn’t like it as much as
Brick of the
Libertine.
Three out of Five Stars