The bad thing about growing your hair out is that you have to contend with bad hair days. It’s true. Sometimes your hair just gets a life of its own and decides that, hey, today I’m gonna look like crap.
You know what I look like? I look like I need a haircut.
My sideburns are liked untrimmed hedges on the side of my face. I have a part Beatles mop top, part mullet thing going on. The back is longer than the sides and the top is longer than everything else. But it’s getting longer, and that’s all that matters.
I’m not going for
Crystal Gayle down-to-my ass long, but you know,
longer.
Why? Because I want to. And goddamit, this is America.
Speaking of America, I got a book this weekend at the thrift store.
I Rant, Therefore I Am by Dennis Miller. (Hmm, maybe that’s why I’m so punchy today.) I haven’t read it all yet, but it seems to be transcripts of monologues from his HBO show. Each chapter or topic starts with his trademark, “I don’t want to go off on a rant here…” And they all end the same way, too. “Of course, that’s just my opinion. I could be wrong.”
I have to admit I’ve used that line myself a time or two. Me and Dennis go way back. He’s a
friend of ours.
This weekend I also watched a couple movies.
Four Brothers, John Singleton’s new revenge movie starring Mark “Marky Mark” Wahlberg, and then I watched
Saw II, starring his brother Donnie “New Kid on the Block” Wahlberg. A Wahlberg weekend!
Four Brothers was entertaining, if a little bleak. There were some great lines and then a near-classic car chase (coulda been, shoulda been, but no), but all in all, it was pretty cheesy.
But if you want cheesy, check out
Saw II. Donnie Wahlberg is, despite what you might think, a pretty good actor. If you saw him in
Band of Brothers, you’d know that right away. He
owned the part of Sgt. Lipton. He even showed some chops in small but memorable parts in
Sixth Sense and
Dreamcatcher. (Okay, so he was cheesy as Duddits in
Dreamcatcher, but was that the performance or the part?)
And in this one, he was joined by Dina Meyer, reprising her role (which I had forgotten about, even though I have the hots for Dina Meyer) as Kerry the cop. Donnie plays a cop too, but not a likeable one. He’s a jerk to his kid, who suddenly becomes one of eight people trapped in a house by the evil Jigsaw killer. The inimitable
Franky G is one of them, and so is what’s her face, Shawnee Smith, the chick who had to cut the key out of the guy’s stomach in the first
Saw.
Now if you don’t want me to ruin it for you, don’t read on. Go watch it and come back. You’ll know exactly what I’m talking about.
First, a few words about what made the first
Saw gruesomely chilling to me. I have this thing about amputations. Seriously. They creep me out.
An amputee could chase me around the room with their stump and I’d be screaming like a little girl. Amputophobia.
Aron Ralston found himself
Between A Rock and a Hard Place and he cut off his own hand. If it had been me, my bones would still be up there but at least my skeleton would be complete.
The roots of this amputophobia started in early childhood. I remember, there was this preacher that came to our church every now and then, this guy named Jack Franklin, who was part David Copperfield and part Oral Roberts. He did magic tricks and he told bible stories. He was also missing half of his pointer finger. His mangled hand made a great hand puppet. It was some weird dinosaur creature with three legs on one side and it talked in a funny voice. The kids loved it. I was one of them, maybe four or five years old at the time.
But one time Jack did a big magic show for the whole church. He had all kinds of amazing tricks and spectacular props. But the only one that I remember was a trick no kid should see. Jack called a man out from the audience and took him up to the stage. They went through some patter about sin and all that and then Jack the Magnificent had his volunteer stick his hand in this contraption, this cigar-cutter with a sharp-ass-blade contraption.
I don’t remember the blade falling. But I do remember the volunteer’s dismembered hand flopping to the floor. Someone came out and scooped it up and the guy started screaming bloody murder, holding up his stump, now covered with a bloody rag. There were some words invoking the Lord and then Jack took the rag away. The man was healed.
It was a cheap magic trick used to teach some religious message, but it was extremely disturbing to a young boy of four of five named Jamey. It would be an understatement to say it left an impression on me.
Somewhere in the same time frame, we took a family trip to New Mexico and ate in a Village Inn style diner. Our waiter only had one arm and balanced the tray on his stump. That gave me bad dreams which I can remember vividly to this day.
Movies didn’t help. The first was
Empire Strikes Back when Luke got his hand cut off. Then there was this movie about a guy who lost his leg and became a marathon running despite it all, an after school special kind of thing that I saw on TV. In later years, graphic scenes of arms being blown away in
Robocop and
Predator just contributed to my fear.
So when the first
Saw movie came out, it filled me with the kind of dread little kids get when the Chucky movie comes on. Chained to a wall, where you have to cut off your own foot???
I watched it anyway, and it wasn’t so bad. They saved the foot thing until the end and even then, implied more than they showed.
But the amputation thing is what got to me about it. That, more than anything else, freaked me out!
Saw II, being a sequel, had to take it a step further, and so it relied on a different device. Instead of two people locked in a room chained to a wall, it’s now
eight people locked in a
house filled with a slow-acting neurotoxin. There are antidotes planted around the house, but there are also traps. To survive, all you have to do is follow the rules.
Of course, the bad guy in all of this is the Jigsaw killer, a terminal cancer patient with a grudge against people who don’t appreciate their lives. He’s apparently very smart, an engineering genius, but he’s also psychopathic. He doesn’t so much kill his victims as concoct clever (not to mention gruesome) situations where they kill themselves. Sounds great on paper, right?
Too bad it didn’t work out so hot in the movie. Part of the appeal of the first one was figuring out why Jigsaw was killing people, and his motivations weren’t revealed until the very end. By then, you were so relieved by the explanation that you didn’t care if it was plausible.
In
Saw II, you don’t have that benefit. We know from the opening credits
why Jigsaw kills people and so the only real pleasure is seeing
how he does it, and since this is the sequel, he’s got eight victims instead of two.
But you never get anymore insight into the Jigsaw killer. At one point, Shawnee Smith, who already survived the Jigsaw once, says “He wants us to survive,” so maybe that’s the writer’s lame excuse for motivation. The Jigsaw is diabolical, but he’s also empathetic.
He doesn’t want to kill you. Oh no, that’s not why he put you in that room with that poison gas and all those deadly contraptions. Not at all. He wants you to live.
And of course, those deadly contraptions are pretty gruesome. There’s the gun in the peephole thing, which blows this guy’s head hollow. Then there’s the furnace burned-alive thing. But the most gruesome, at least on an intellectual level, is where Shawnee Smith is forced to grovel through a pit full of dirty syringes. No one likes needles. And no one likes dirty don’t-know-where-they-been needles either.
The last one, which could have been more gruesome had the filmmakers not chickened out and got all music video on it, was a blade box. Inside was a syringe of the antidote but if you reached inside, your hand would get trapped and you’d either lose your hands or bleed out hanging there. Pretty gruesome stuff, but sadly, it just didn’t work.
The plot didn’t work, the characters didn’t work, the deadly contraptions, which is really the appeal of the
Saw franchise, didn’t really work, and all in all it was a pretty crappy movie. I’m sure they didn’t mean to make a crappy movie, but that’s what they did.
If you want to see a
good movie about a diabolical killer, you could always watch
Seven again.