I haven't written anything on Katrina yet, not because of apathy, but because I really don't know what to say, nor do I think anything I have to say will be particularly useful. (I also admit that I don't want to sound too shrill in condemning the government's response...because I truly feel that even though the government didn't cause the hurricane, they dropped the ball. Example: At my work, we were preparing for power outages and massive network disruptions even before Katrina hit Florida and curved around towards Nola. If the phone company can prepare in advance, how come FEMA can't? I digress....)
Anyway, I'll shut up and point you
here. I gave them $20, not much in the big scheme of things, but that's enough for a few cases of bottled water.
On a completely unrelated topic, Anthrax (the band, not the disease) is releasing two new CDs on 9-20-05, the
Anthrology compilation and another live CD,
Alive 2, recorded with the original "classic" line-up.
The
Anthrology I could live without. Since I already have all those songs, I can justify not buying it, even though the originals will be digitally remastered. After re-recording classic material with John Bush on
The Greater of Two Evils, a remaster is somewhat underwhelming. (Besides, Anthrax already has two greatest hits collections. A third is more than redundant.) I will, however, get the live CD, if only to hear what the classic line-up sounds like now. Scott, Frankie, and Charlie haven't lost a step, but can Joey and Dan still shred like they did back in the 80s? We shall soon see...
Of course, all of this has caused me to review the John Bush era, since apparently Bush's involvement in the band has been put on hold while they get this classic line-up reunion thing out of their system. (Or will Anthrax try to be the first band to juggle lead singers? Doubt it.)
I remember, when Anthrax first announced that Joey was gone and John was in, and I was shocked, disappointed. I didn't think they would last, and I was a diehard fan. All the fans who were on the fence, or
kinda liked Anthrax, abandoned them. If you did a scientific study, you would learn that this probably had a definite effect on the band's "most underrated metal band" designation. They didn't suck after that, but they definitely went in a different direction.
John's a different singer, more gravel-throated than Joey, less operatic. The lyrical content steered away from comic books and Stephen King novels and more towards "you-me" abstractions. (By "you-me," I mean songs that are about "me" and addressed to "you," whoever that is. Rollins Band is another band that can't escape this lyrical trap.)
But with that said, I really like the Bush material.
Sound of White Noise has some truly classic tracks, "Potters Field" and "Room for One More" being the most obvious choices. The record also displays an annoying tendency of the band...the obligatory ballad. The stinker on
White Noise is "Only," a song that some people inexplicably think is good. Blegh. Unfortunately on
Stomp 442 (the second Bush era album) they take this to absurd lengths with two, count em
two, crappy ballads full of cheap sentiment and uninspiring chord changesm first the stinker "Nothing" and then the really bad one, "Bare." These songs are nothing more than lame attempts at a radio-ready single, which is a shame because anyone who heard these clunkers were
definitely not going to go out and buy the album. Those songs sucked, and from that, you can guess that the band does too.
I don't know if was misguided ambition that led the band, or its management, to push the fluff first, but if you listen to "Nothing" or "Bare" today, they just don't hold up. By contrast, songs like "King Size" and "American Pompeii" not only hold up, but they sound more vital than most of the songs released today. Check out the riff on "Drop the Ball" or even "Tester." That's the sound fans want to hear. The crunch, the stomping. Forget about the three-chord progressions and sappy lyrics.
Don't give us schlock. Give us rock!
(Disclaimer: On their latest album of new material with Bush,
We've Come For You All, there's only one ballad, "Safe Home," and surprisingly, it's not that bad.)